会议名称：“2022世界木材日”研讨会暨第四届国际林联（IUFRO）林产品文化研究组讨论会
会议时间：2022年3月22日

报告嘉宾：李超

嘉宾简介：浙江理工大学艺术与设计学院 讲师

摘要：

In order to expound the concept and basic cultural characteristics of shi ra-wood, this paper firstly discussed the narrow and broad concepts of shi ra-wood based on its anatomical and sensory characteristics. In the broad concept of shira-wood, the long cultural history of shira-wood utensil was
summarized. Based on the transformation process of the Buddha statues from hardwood to softwood, this paper discussed the generation path of shira-wood culture and its turning point. Taking concept culture as the main line, the structure characteristics of shira-wood culture was ex pounded. Finally, the main differences between shira-wood culture and Hongmu culture were compared. In sum: 1) Narrow concept: softwood that texture has the anatomical characteristic of fine, the visual characteristic of purity and the tactile characteristic of soft. Broad concept: wood with nar row concept characteristics in softwood and hardwood. 2) The generation path of shira-wood culture is the transformation of materials for Buddha statues from hardwood to softwood, which is from white sandalwood to camphorwood and to Japanese hinoki core wood, and finally to Japanese hinoki log. The appearance of Japanese hinoki log was a turning point in the formation of the concept of shira-wood culture. 3) The utensil culture of shira-wood involves hunting tools, architecture, furniture, boats, sacrificial tools, musical instruments, farming tools, toys, tableware, fishing tools, shoes, and other items of cultural life. 4) The conceptual culture of shi ra-wood includes four aspects, namely, fine-purity, frugality-inclusive, 27softness-intimacy, and simplicity. 5) The different characteristics of shira-wood culture and Hongmu culture is that they had two distinct value orientation and aesthetic consciousness, on the viewpoints of fine and coarse texture, light and heavy color, low and high density, and simple and complex texture.

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